I have liked William Boyd’s recent novels, so I picked up
this one published in 2006. I
liked it as much as any.
Restless
William Boyd’s Restless
(336 pages, Bloomsbury, $14.95) is billed as an historical thriller, and it
does a wonderful job of playing two historical periods against each other.
The “present” of the novel is 1976, and Ruth Gilmartin, who
is pursuing a doctorate in History at Oxford, is a frustrated and seemingly
paranoid mother who lives deep in the Oxfordshire countryside and imagines that
someone is lurking in the woods beyond her garden.
Ruth is busy enough raising a young son and trying to cope
with a full docket of ESL students.
Her time is so full, in fact, that she has little time for writing her
Ph.D. thesis. But then when is
that not true.
Anyway, Ruth is just about at the end of the tether with
her seemingly demented mother, when the older woman hands her a document that turns
out the be the account of her life as a spy, first in Europe and then in
England and the United States.
Ruth can hardly believe that her mother, Sally Gilmartin, is
the Eva Delectorskaya whom she reads about in the narrative. Even harder to believe is the harrowing
account of wartime espionage and betrayal, as Eva Delectorskaya becomes Eve
Dalton and eventually the Mrs. Sally Gilamartin that Ruth knows as her mother.
As Sally’s narrative is fed to Ruth in small bits, it
becomes increasingly engaging.
When Eva is recruited by a handsome British spy, she falls in love and
has an intermittent affair, even as her situation becomes scarier and more
threatening.
While we read about wartime Europe and the double-crosses of
the Second World War, Ruth is still coping with her son, his estranged father
in Germany, that man’s brother who comes to visit and brings all sorts of
complications including his girlfriend.
And then there are also her students, who are importuning in various
ways and even have the temerity to fall in love with her.
One of these narratives is meant to comment on the other,
but at times it is hard to decide in which direction the commentary flows. What is clear, though, is that Ruth
becomes so caught up in her mother’s story that she is ready to play a part in
it before the curtain falls.
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