I was intrigued with the premise of this novel—the story of
a character who feels alienated from his experiences—and I was pleased to see
what this talented novelist could make of it.
The Perks of Being a Wallflower
Stephen Chbosky’s The
Perks of Being a Wallflower (213 pages, MTV Books, $14) is told from the
perspective of Charlie, a precocious young school kid, just coming into
puberty, who has a checklist of neuroses and hospitalizations, but who writes
beautifully and has an astonishing imagination.
The story he tells is of budding sexuality and the even more
difficult ins and outs of emotional experience for any early teen. The novel is written in the form of
letters to an unspecified friend.
As the novel proceeds, it almost seems as this letter-writing might be a
form a therapy. What is really
great about it, though, is the way we get Charlie’s own responses to things. Sometimes, we feel that
we understand more than he does about what’s going on, but at other times, he
really surprises us.
Early on, we see Charlie in his family—the youngest of three
children—and with his attentive, but hardly overly doting parents. We also hear of
an aunt, a sister of his mother, who was wonderful to the boy but who died
young in an automobile accident.
Charlie’s depression at his aunt’s death is enough to send
him to the hospital for treatment, and as the novel opens, he is coping with
another death, this time his best friend at school, who ended his own life.
With the cards stacked against him in this way, Charlie
tries to become friendly with some older kids at school. At first it seems like they are ready
to brush him away, but because he is so smart and articulate, they seem ready
to take him up. The brother and
sister, Patrick and Sam, befriend Charlie and he is over the moon with the idea
that these kids are his friends, and when he is honest with himself he admits
that he finds himself deeply attracted to Sam.
As Charlie gets pulled into the lives of these older
students—with their smoking, drinking, and drugs, as well as their more mature
approach to relationships and experience—he starts to feel that there is more
to life than he realized. As he
tries to cope with the sexual realities around him—friend are having sex, some
are gay, some are violent—he feels that he is watching from the sidelines and
seems afraid of having experiences of his own. Everyone else seems to know how to do it, and he’s just
confused.
The pleasure of the novel is listening to Charlie as he
reacts to the special reading that his English teacher is giving him—he is way
beyond his grade in reading and writing—and watching him react to all the
events that make up high school life.
But what is really wonderful is watching him grow, as he does, from a
child to a bona fide adolescent.
This book is listed for “young readers,” but I think anyone
could benefit from its insights.
It’s a coming-of-age novel to put with the best of them.
Stephan Chbosky
Stephan Chbosky
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