I can’t say I was a great fan of Steve Earle’s music, but
when I read that he had based a novel on the life/death of Hank Williams, I
thought I would download it to read while traveling.
I’ll Never Get Out of This World Alive
Steve Earle’s first novel I’ll Never Get Out of This World Alive (256 pages, Houghton Mifflin, $26) deals
with a fictional friend and enabler of the great country singer Hank Williams,
who died of an overdose in 1953 at the age of 29. This friend is known as “Doc,” nothing more or less, and in
1963 he is a doctor without a license who lives in the red light district of
San Antonio and nurses his own heroine addiction by treating the odd gun-shot
wound and knifing that happens in his neighborhood. He is also the go-to guy for abortions, and some folks come
from even far away to avail themselves of his secret services.
As he lies in bed imagining his next fix, he is regularly
visited by the ghost of his late friend Hank Williams, who chides and chortles
at Doc’s shortcomings and almost seems to take pleasure in his addiction. As the story unfolds, it turns out that
Doc was the person who treated Hank with increasingly powerful pain-killers,
even as his alcoholism was already destroying him. The novel has it that it was Doc’s large dose of
painkillers, which he administered on the way to a concert, that killed the
singer, and Hank haunts him as a result.
Into this world of druggies and prostitutes comes a young
Mexican girl, Graciela, who is dropped off and left by her boyfriend, after he
has arranged for Doc’s services.
Once he has operated on the girl, she seems to hang around, and before
long she is his medical assistant and his almost daughter-like roommate.
Not only that, however: she also seems to have some kind of
miraculous powers. Her effect on
the sick is immediate—they always improve markedly when she has touched
them—and her influence on Doc and his friends is profound. Doc begins cutting down and then
abstains completely from heroine.
Prostitutes find God, and drug-dealers give up their trade. Graciela also bears a mark—a wound on
her wrist that will never heal—that some claim has magical powers and others
see as a stigmata.
Graciela understands that all these powers come from her
Mexican grandfather, to whom she has always been devoted and whose words come
back to her now that she has moved away.
For a while, in this version of magical realism, Graciela
and the ghost of Hank Williams seem to be struggling for the possession of
Doc. None of Doc’s friends see the
regular ghostly visitor, but Graciela sees him and fights against his
influence.
Later there are more powerful outside forces that they both
unite in fighting against, and Doc has all he can do to keep up with them.
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