Barbara Vine is a pseudonym for Ruth Rendell, the renowned
mystery writer. She uses Barbara
Vine for her racier tales, and this is certainly one.
The Child’s Child
Under the pen-name Barbara Vine, Ruth Rendell writes a
compelling mystery. The Child’s Child (320 pages, Scribner, $26) has a simple
thesis: a gay man and his sister—Andrew and Grace Easton—argue about whether
gay men had it worse when they were persecuted for sodomy, as was Oscar Wilde,
than did unwed mothers, of countless number, who lost much else beyond
respectability when they transgressed or were led astray. Vicitmization in both cases is severe,
and the disagreement cannot be won.
But since we are reading Ruth Rendell, the situation will replicate
itself in fiction, and it does in spades.
For one thing, Andrew, who is gay, brings a lover into the
house which he shares with his sister.
Grace does not like a thing about Andrew’s lover James, but she does
acknowledge that he is handsome.
When Andrew and James witness a brutal gay bashing near a London pub,
they are shattered. The idea that
they may have to testify in court sends James nearly bonkers, and he worries
himself into a state of hysteria.
Meanwhile, Grace has started reading a manuscript of a
recently deceased gay novelist that the publisher is unsure about whether to
publish. Set in the later 1920s,
it concerns a case of a closeted homosexual and his tormented unwed but
pregnant sister. Because John, the
brother, knows he will never marry, he agrees to pose as Maud, his sister’s
husband, and protect her when the family has turned its back on her. She takes John’s help, but she cannot
brook his tentative attempts to express his sexuality with a friend. This story ends tragically, as indeed
it must, but then it also reflects back onto Grace and Andrew and their
confusing lives together.
It is almost as if the earlier tale—the story within a
story—haunts the later tale with its fatalism and brutality. The contemporary figures have to decide
whether they have any more clarity about experience than those earlier ones
did. It is frightening when they
have to confront similar limitations, but it is even more harrowing when they
actually manage to confront them.
Rendell has written a fine and deeply complex novel that
will keep you thinking for long time after reading it.
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